https://www.bethannemartin.com/home daily 1.0 2026-02-26 https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/e46355b2-a533-4c5f-bc8f-ca79896d26a2/Only+Echos.jpg Beth Anne Martin CURRENT LANDSCAPES https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1649351871901-PO3D0T0BS5YYTZQ1AP0X/Portrait%252BA.jpg Beth Anne Martin CURRENT FIGURATIVE WORK https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1582038706269-4DN7IEXNFLHOG91NR86E/B19.jpg Beth Anne Martin BLIND SELF PORTRAITS https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1582037330227-GBTYERKNVD2BLUU24WEY/B17.jpg Beth Anne Martin ONE HOUR SELF PORTRAITS https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1583176168772-KYJVC9LHEK0N1UTUCMJY/Picture2.jpg Beth Anne Martin SELECTED WORKS: 2011-2016 https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1583178848500-SEUZ219HN3G9I9HR785I/5.+Pulling+Pins+.jpg Beth Anne Martin SELECTED WORKS: 2006-2009 https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1583178016132-5OCSVKXR9DFYSM2DOUOD/Picture4.jpg Beth Anne Martin https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1583178030159-KPLA1RXIW6HSAGVL55DE/Picture5.jpg Beth Anne Martin https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1583178044828-G39P1SKRN76W44TNHVXX/Picture6.jpg Beth Anne Martin https://www.bethannemartin.com/about daily 0.75 2026-02-26 https://www.bethannemartin.com/contact daily 0.75 2026-02-26 https://www.bethannemartin.com/about-1 daily 0.75 2026-02-26 https://images.squarespace-cdn.com/content/v1/5e3986fca703016ffaa6a00e/1632845915722-8CDWT1BU7PW679TAE5UK/I+Strange+Fruit.jpg ARTIST STATEMENT - ARTIST STATEMENT I understand life as a nomadic, petrichoric atmosphere — something sensed before it is seen, something that gathers in the air and lingers on the skin. My work emerges from this condition of in-betweenness, where figures drift toward landscape and landscapes fracture into memory. Working in painting and mixed media, I build and disrupt surfaces through layering, erasure, and interruption. Forms appear and dissolve. Edges soften. What feels stable begins to shift. I am less interested in fixed images than in the movement between them — the atmospheric interval where perception recalibrates. Petrichor is the scent released when rain touches dry earth. It signals change without announcing itself directly. I think of painting in this way: not as depiction, but as a field where something has just happened or is about to happen. The surface holds that charged suspension. My practice is nomadic. It resists permanence and refuses resolution. Meaning gathers through oscillation — between abstraction and figuration, concealment and revelation, grounding and drift. I approach the studio as a site of embodied philosophy, where atmosphere becomes visible and thought takes on texture. The work does not aim to explain. 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